Victoria has added a new public tribute to one of its most respected First Nations leaders, with the unveiling of a mural dedicated to Aunty Margaret Tucker MBE as part of the Victorian Women’s Public Art Program.
The artwork, revealed by the Minister for Women, recognises Aunty Marge’s lifelong advocacy for First Nations rights, health and the wellbeing of women. A survivor of the Stolen Generations, she became a leading voice for change during decades when Aboriginal Australians faced entrenched discrimination and exclusion.
Aunty Marge played a founding role in the Australian Aborigines’ League and was the first woman appointed to the Victorian Aboriginal Welfare Board. She later helped establish the Victorian Aboriginal Health Service, which continues to provide culturally safe healthcare for Aboriginal communities. Her work extended beyond formal appointments, shaping public debate and community organisation at a time when few platforms were available to First Nations women.
The mural was produced by BE. ONE CREATIVE with an all Indigenous creative team. Organisers say the intention was to ensure the project reflected community leadership not only in its subject, but in its creation.
The Victorian Women’s Public Art Program, backed by a $1.2 million investment, aims to address the imbalance in public monuments and artworks across the state. Historically, statues and memorials have focused heavily on male political and military figures, leaving the stories of women less visible in civic spaces. The program supports permanent works that recognise women from a range of backgrounds and experiences, with projects delivered in partnership with local councils and communities.
Minister for Women Mary-Anne Thomas said the mural forms part of the government’s commitment to equality and representation in public life. She described Aunty Margaret Tucker as an extraordinary Victorian whose work improved conditions for many families.
City of Maribyrnong Mayor Cr Mohamed Semra said the mural stands as a lasting symbol of Aunty Marge’s connection to community and her enduring legacy. Her great granddaughter, Tania Rossi, recalled her great grandmother’s words: “It does not matter if you’re black, white or brindle, we all bleed the same colour and we must respect each other.”
Supporters of the public art program argue that visible recognition in streets and community spaces helps broaden understanding of Victoria’s history. Some critics of public art spending question whether funds should be directed elsewhere, particularly during periods of budget pressure. The government maintains that representation in civic spaces shapes how communities understand their past and future.
The latest mural adds to a growing collection of works across Victoria that seek to present a fuller account of the state’s history, placing women and First Nations leaders firmly within it.
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