Over two weekends this winter, something remarkable unfolded on stage in Sydney and Melbourne. Vikrama: The Journey Towards Moksha, the latest production from the Bollywood Dance Company, brought together more than 450 performers aged from four to sixty-eight, offering audiences an experience that lingered well beyond the final curtain.
From the smallest child stepping into the spotlight for the first time to adults who’ve spent years refining their craft, the cast gave the production its shape. What connected them was a shared openness and a willingness to let dance carry something personal and reflective.
At the centre of the production was Vikrama, a symbolic figure who exists as a voice within. A conscience, neither above nor below, but always present. Through movement and gesture, the show invited the audience to reflect through silence, rhythm and space. It offered no answers, only questions, and that may have been the point.
The creative team—Sohini, Darshan and Vihang—described the process as one rooted in trust and honesty. “You embodied that fearlessly, honestly, and beautifully,” they told performers after the final show. “Thank you for trusting the process, for pushing boundaries, and for telling this story with your whole heart.”
The production drew from both classical Indian dance and modern theatrical forms, but its impact lay in something less visible: the energy shared between performer and audience. Each person on stage brought something real. Some had trained through the company’s intensive program, others came from local communities and had never faced stage lights before.
In the end, Vikrama was less about choreographed steps and more about what happens in between. The stillness, the hesitation, the courage to move anyway. As one of the choreographers put it, the aim was to let dance become a conversation between soul and stage.
For those who took part and those who watched, Vikrama left an impression. It didn’t offer clear answers or tidy endings. But something about it stayed. The show is finished, yet the questions it raised still sit with people.
Support independent community journalism. Support The Indian Sun.
Follow The Indian Sun on X | Instagram | Facebook
Support Independent Community Journalism
Dear Reader,The Indian Sun exists for one reason: to tell stories that might otherwise go unheard.
We report on local councils, state politics, small businesses and cultural festivals. We focus on the Indian diaspora and the wider multicultural community with care, balance and accountability. We publish in print and online, send regular newsletters and produce video content. We also run media training programs to help community organisations share their own stories.
We operate independently.
Community journalism does not have the backing of large media corporations. Advertising revenue fluctuates. Platform algorithms change. Costs continue to rise. Yet the need for credible, grounded reporting in a multicultural Australia has never been greater.
When you support The Indian Sun, you support:
• Independent reporting on issues affecting migrant communities
• Coverage of local and state decisions that shape daily life
• A platform for small businesses and community groups
• Media training that builds skills within the community
• Journalism accountable to readers
We cannot cover everything, but we work to cover what matters.
If you value thoughtful reporting that reflects Australia’s diversity, we invite you to contribute. Every donation helps us maintain the quality and consistency of our work.
Please consider making a contribution today.
Thank you for your support.
The Indian Sun Team
